Alumni Interview Series
Creative Writing alumni interview series featuring Sina Grace, Reyna Grande, Martha Mendoza, Thad Nodine, Molly Antopol, and Kate Schatz. Click a name to read the full interview:
Sina Grace
(B.A., UCSC, 2008) self-published an illustrated novel titled “Cedric Hollows in Dial M for Magic,” and illustrates S. Steven Struble’s web-comic, “The Li’l Depressed Boy.”
More Details
What was something memorable about the Creative Writing program at UCSC?
My classmates. The people I connected with in the Creative Writing program are my closest friends from UCSC. When you’re spending so many hours with a small group of people trying to find out how to express yourself using language, you kind of end up reaching new levels of intimacy.
What are you reading right now?
A Single Man by Christopher Isherwood, My Hollywood Life by Mona Simpson, and The Spiderwick Chronicles by Holly Black and Tony DiTerlizzi.
What are you doing now professionally?
By day, I work as the editorial director for Robert Kirkman’s Skybound imprint at Image Comics, which entails managing schedules, futzing around with files, and copy editing several comic books a month.
By night, I draw a comic book called The Li’l Depressed Boy.
Then, on weekends and wee hours of the night, I am working on a new graphic novel called Not My Bag. That one is about retail hell.
Do you still write, and if so how do you find the time?
The answer above kind of addresses the first half of this question. To answer about finding time: A highly motivated classmate in high school once told me the following when I asked her the same question:
“I am awake 16 hours a day. I use each and every one of those hours to their fullest.”
I think what she was really trying to say is that she sleeps a full eight hours a night… a quality of life that I cannot seem to attain.
Ernest Hemingway has been described as a master of brevity. Let’s one-up him. Could you describe your favorite written work (written by you) in a single word?
Psychobabble.
Your least favorite?
Psychobabble.
And finally, do you have any words of advice for Creative Writing majors, or for people who are interested in applying?
I always say this, and this is particularly important for writers who are actually in school to remember: you are always a student. The most important thing a growing artist can gain from school is getting the tools to grow. Finding your “voice” and stuff happens with time and practice, but being a strong writer comes from taking in feedback from your peers and professors, and getting over whatever pretense you bring into a classroom.
That, and: write for yourself. The first few quarters I spent trying to write stuff I thought would be received as “smart” or “deep,” and it wasn’t until I wrote a chapter from a novella that was to amuse myself that my peers actually responded to the work.
Reyna Grande
(B.A., UCSC, 1999) is an author and her first novel, Across a Hundred Mountains, received a 2010 Latino Books Into Movies Award, a 2007 American Book Award, and the 2006 El Premio Aztlan Literary Award.
More Details
What was something memorable about the Creative Writing program at UCSC?
My first semester in the program I had a teacher who kept trying to get me to stop killing my characters at the end of my stories. She challenged me to write one story where no one died. I wrote it and I thought it was the most boring thing I’d ever written. In Across a Hundred Mountains, I continued my killing spree (I even killed the baby). Then when I decided to write Dancing with Butterflies I thought about that teacher at UCSC and decided to challenge myself to not kill any of my characters. I succeeded, for the most part. This time, I only killed the minor (very minor) characters! Now I’m writing a memoir. No one dies. Unfortunately, the limitations of non-fiction are such that you can’t kill your characters if they did not, in fact, die.
What are you reading right now?
I have been asked to judge the El Premio Aztlan Literary Award. The box of books I am to judge arrived today. That’s what I’ll be reading from today on.
What are you doing now professionally?
I am writing a memoir and my third novel. I am also teaching English as a Second Language for LAUSD (part-time) and teaching a creative writing workshop in my community. I do presentations once in a while at author luncheons, schools, conferences, and literary festivals. I stay very busy.
Do you still write, and if so how do you find the time?
I try to write as much as I can. Funny enough, it is when I am busy that I do more writing. Usually when I am not busy and have all the time to write, I don’t because I say to myself “I have lots of time to do it,” so I do other stuff like garden or clean the house, do laundry. Then when I look at the clock I realize that I don’t have as much time anymore to write because the day has gone by too fast. When I am busy, I know that I will have exactly two hours to write that day. I don’t procrastinate then because I know that every minute counts.
Earnest Hemingway has been described as a master of brevity. Let’s one-up him. Could you describe your favorite written work (written by you) in a single word?
Depressing (I think it takes a certain amount of talent to make a reader cry within the first few pages.)
Your least favorite?
Depressing (Okay, I admit, I wasn’t born with a sense of humor. I am envious of writers who write funny. One of my favorites is The End of the World Book. It’s hilarious.)
And finally, do you have any words of advice for Creative Writing majors, or for people who are interested in applying?
My advice is to not be afraid to kill your characters. You see, some writers, I think, get too attached to their characters and don’t want to hurt them the tiniest bit. In my opinion, being overly attached to characters could hurt the story-telling as much as killing them off for whatever reasons (my teacher never told me THAT). I would also encourage students to not stop writing at page 100 just because that is the number of pages you need to write for your senior project. In 1999 stopped at page 100 of Across a Hundred Mountains, turned it in, graduated, and then it took me three years before I was able to go back and start writing from page 101. I lost momentum, in other words. Graduate. Celebrate. Continue writing the very next day.
Martha Mendoza
(B.A., UCSC, 1988) won the 2000 Pulitzer Prize for Investigative Reporting and co-authored The Bridge at No Gun Ri : A Hidden Nightmare from the Korean War.
More Details
I met Associated Press journalist Martha Mendoza on a cool June morning at The Buttery in Santa Cruz, CA. The night before the interview I had watched hours of video footage of Mendoza as she answered questions about her career in journalism and the Pulitzer Prize she won in 2000 for an exposé titled Bridge At No Gun Ri- the chilling story of a secret massacre during the Korean War. I knew she had brown hair and kind eyes so I was searching the crowded bakery for these attributes as I waited expectantly for our interview. I was so nervous I called my mother and told her I thought I’d lost my subject. “I can’t find Mrs. Mendoza anywhere!” My heart was racing and I hoped I hadn’t got the wrong location or time. Just as I was beginning to panic Martha Mendoza tapped me on the shoulder, perhaps recognizing the flurry of a reporter with my computer bag falling off one arm, hands full with a tape recorder and scattered papers and my eyes darting through the press of customers, taking in each small detail. We sat down outside on a low wooden bench and I was instantly calmed by Mendoza’s ease. This was my first interview but probably her millionth, and her confidence gave me the courage to begin asking questions.
Childhood
Laurel Marks: Where did you grow up?
Martha Mendoza: I was born in Los Angeles in 1966. My father joined the Peace Corp soon after as an administrator so when I was about eighteen months old we moved to India. Then we lived in Western Somalia, and then Nepal. My dad was a public advocate and an attorney and I would go to court and take huge amounts of notes. I was an advocate. I opened my high school yearbook the other day and out came a petition that I was getting people to sign.
LM: So do you think that all that travel and exposure to the courts is what inspired you to become a journalist?
MM: When I realized I wanted to be a journalist all of that made me very comfortable with it. I definitely had a sense of global interest.
Days at UC Santa Cruz and Beyond
LM: Was there an incident or event in your life that you witnessed or read about that drew you to journalism?
MM: Yes. I went from high school to UC Santa Cruz for one year and I didn’t know what I wanted to study. I took history and calculus and chemistry and art for a year. I lived at Kresge. And nothing was really working for me. That next summer I went to central America with a congressional delegation which a friend of mine was helping organize and it was there that I saw people who were really in need. I saw bodies in the streets in El Salvador and heard about the US involvement and about what was happening. And somebody there said “we are telling you our story, what are you going to do about it?” I thought “I don’t know, I better go back to college. So I went back to UCSC and took a journalism class with a teacher named Con Hannelin (SPELLING?) who instantly became my mentor
LM: You created your own Journalism major at UCSC, what inspired you to go outside the boundaries of a typical major?
MM: I had already dropped out once and journalism was the only thing that grabbed me. There weren’t a lot of journalism classes so I did stuff like independent study and internships and took as many journalism classes as I could.
LM: How do you think UCSC and the community can be more connected?
MM: I think it needs to start in the schools. I think that every single UCSC student should be required to volunteer in the public schools or the libraries. Every kid here needs a mentor or a tutor and there are all these kids at UCSC who, although they feel really busy, could afford an hour or two a week to volunteer. It’s a public university and they are a part of this community.
The Pull of Santa Cruz and Journalism at UCSC
LM: What differences do you find living and working in major cities in comparison with Santa Cruz?
MM: I think Santa Cruz is a fascinating news community. We support two weeklies- Metro and Good Times. You could do national news from Santa Cruz all day long!
LM: You and two other UCSC alums have won the Pulitzer Prize for journalism. Do you think this should incite the university to bring back a journalism major or minor?
MM: There’s a huge, rich depth of journalists who have come from UCSC. They definitely should bring it back. I think that if you get an education at UCSC you have a great background for becoming a journalist because you learn to inquire at this university, you’re forced to not just do what you’re told to do, you’re forced out of your comfort zone in so many classes and I think those are all really important lessons that journalists can really take with them. It’s not a coincidence that so many Pulitzer Prize winners have come out of UCSC.
The World of Journalism
LM: What do you think about the current state of journalism- in print format versus the internet?
MM: it’s definitely evolving. It’s always going to be around. There are some things that were lost but are now making a comeback, like community journalism Tweeting, the social media, all that stuff is in it’s infancy in terms of journalism, but we’ve got to get good at it.
LM: Do you think that journalism is losing legitimacy because of so many blogs where people can claim to know something first hand?
MM: No, I think it’s a pretty exciting and robust time, actually. There’s a lot of information to be grabbed…
LM: What does it feel like when you uncover a big source or story?
MM: I don’t get a ton of “ah-ha” moments, but when I do get them they’re very fun. It happens probably twice a year.
LM: What is one of the most difficult aspects of journalism for you?
MM: I do not like stories with kids getting killed. It’s horrifying to me, and since becoming a mother, more so.
LM: In what ways do you think that journalism is a form of social justice?
MM: I think that the media plays a piece of the puzzle. I think our role is to hold people in power accountable for what they say is going to happen. But it’s just one piece. The other roles are the lawmakers and the advocates.
LM: You’ve exposed so many controversial stories, how do you personally deal with attacks on your own reporting?
MM: I try very hard to not shock people with my reporting, I don’t do “gottcha.” If I find out you did something wrong I call you and I say “I found out you did this, what do you say?” But certainly some people don’t like that we did the story in the first place or dispute what we found. It’s just work so I keep it at arms length and don’t let it effect me emotionally. We aren’t brain surgeons, this isn’t life and death stuff. But hopefully we are saving lives, hopefully we are making a difference. But I don’t pretend to be someone else for a story. If we lie, cheat and steal then we’re as bad as those we’re writing about.
LM: What do you think is the greatest impact your work makes on others?
MM: It’s from the small to the large. There have been some stories that I’ve done that have got people out of jail, and stories that I have done that have got people into jail! In a weird way, it’s when regulations get rewritten that probably has the biggest impact.
LM: What do you think the ultimate purpose of journalism is in our society?
MM: I think that there’s a reason why the first amendment mentions freedom of press, because the founders of this country wanted a free and robust media to watchdog everybody else.
LM: I was incredibly moved by your piece on abortion titled “Between a Woman and Her Doctor.” What inspired you to write such an emotional and personal piece?
MM: That was an anomaly. I think it was a case where I thought “I’m a writer. I’m going through something difficult. Writers deal with hard times by writing about them.” So I did. I showed it to a friend and she told me it could potentially bring about change, or at least open people’s eyes to this slice of an issue.
LM: Have you been contacted by people about how your story has changed their outlook or some aspect of their lives?
MM: Yes. I would say every month I’m contacted by someone who says “you story changed my life in this way or that.” Last week a woman called and told me she had my story cut out and in her desk from four years ago and se always comes back to it. I was in the library the other day and this thing I wrote for the Sentinel in the 1990’s was pinned up.
LM: What was the process of getting into the world of the Associated Press?
MM: When I finished at UCSC I sent out my resume for thirty or forty different job openings around the US. I got a job at the Sentinel for three years and I was investigating and turning up a lot of stuff. Since it’s a small town people were getting very upset and the mayor was upset with the paper so I was encouraged to move on. The way you get a job at the AP is by going into a bureau and taking the AP writing test and interview and then you become eligible.
Pulitzer Prize
LM: What did winning the Pulitzer Prize mean to you?
MM: It was great because it cast a spotlight on the story and drew more attention to that issue and to the issue of war as tool of foreign policy and the impact that has on civilians. When they gave the prize to us they said “now you know what your obituary is going to say.”
LM: What impact do you think historical stories such as the massacre at No Gun Ri, has on our present?
MM: For the South Korean’s, it was a very important recognition. One guy I interviewed had a brain tumor and then his brain tumor, a few weeks later, was found to be an infection and he was saved. He told me he felt that God had done this for his because he had had the opportunity to speak the truth.
Advice For Up and Coming Journalists
LM: Do you have any advice for an up and coming journalist?
MM: Learn a language, don’t go into it for the money, decide if this is really the lifestyle that you want. If you like writing you’re nine tenths of the way down the road. Study something other than journalism as well like history or environmental sciences or politics so that you have some body of knowledge. Do internships.
LM: Do you think you are able to put a lot of creativity into your stories?
MM: Yes. The novel I was reading at the time, and even poetry, has influenced the last four stories I have worked on.
LM: Is there anyone, or anything, that inspires you when you are writing a story?
MM: All the journalists read each other a lot and my colleagues inspire me a lot. We are a big support to each other.
LM: It’s seems as though you’ve built a whole family through the AP.
MM: Yes, but I keep it as my job, which a lot of reporters don’t. I have a clear division between work and home. I’m always a journalist though. When I know I’m going to have to write about something I pay attention in a different way then when I’m just having a conversation with a friend. Sometimes- this is a great feeling- I wake up in the morning and I have my lead and I have to go write it down. And I say “thanks brain!” I love that.
Throughout the interview Mendoza seemed to come alive the most when I asked her about the stories she had worked on in the past, investigations that she seemed unafraid to expose, even in the face of brutal controversy. When I stumbled over a question she would reassure me with a kind smile and wait for me to continue. Always the professional, Mendoza remained aware of ambient noise and was perfectly comfortable with her words being caught on tape. It was an amazing experience to turn the questions back on someone so versed in the world of reporting and her honest and heartfelt answers and anecdotes made me even more passionate about my dreams of being a journalist.
Thad Nodine
(Ph.D., UCSC, 1990) is the author of “Touch and Go” and winner of the Dana Award for the Novel.
More Details
After becoming entangled in the twists and loops of mapquest, I found myself on a pretty street so close to the ocean that as I stepped out of the car, my skin felt salty. It was my second to last day in Santa Cruz and I was becoming sentimental about the beautiful sea cliffs and quirky musicians and artists who lined Pacific Avenue and made the city come alive with sound and color. The late June heat was just beginning to press down as I made my way up to Thad Nodine’s front door, surrounded by the soft hum of summer and the smell of honeysuckle. Nodine greeted me with a wide smile and a glass of ice water as he ushered me into the cool comfort of a book-lined living room. Nodine exuded a quite, contented energy and I instantly felt comfortable and at ease.
Childhood
Laurel Marks: Where did you grow up?
Thad Nodine: I grew up in Clearwater, Florida and lived there until I went away to college. I have roots in the south and north… I feel like a citizen of the United States and knowing the language and rhetoric of several different areas has helped me in my writing.
Starting Out
LM: Do you remember a moment when you said, “I want to be a writer?”
TN: That didn’t happen until much later. The moment I decided to become a writer was after college.
LM: So what made you pick up a pen and start writing?
TN: My first job after college I really thought I was going to be a lawyer so I took the LSATs, went to DC, and expected to work for a year and then go to law school. It was a good thing I did that because I realized I didn’t want to be a lawyer. I got an entry-level job writing letters for a congressman. In that job I realized I was pretty good at writing and I actually liked it and I had some things to say. I was always interested in the public good and how people engage with each other and politics. By working in politics I realized that I wanted to have other avenues for talking about who we are and where we are going as a people.
LM: You’ve lived all over the country- what made you settle in Santa Cruz?
TN: I came to Santa Cruz to go to graduate school in literature. I had done my undergraduate work at Oberlin College in Ohio. I made my way west trying to write in various formats. I was a journalist, speechwriter, legislative correspondent, worked for a publishing company, and then I finally decided to go back to school to read and study more literature. After coming here and getting involved in the Santa Cruz community, we never left.
LM: Does Santa Cruz inspire you as a writer?
TN: I think it does. I think any place would inspire me as a writer though. Santa Cruz inspires me for a lot of other reasons besides writing.
LM: In my most recent fiction class with Micah Perks, we were talking about whether or not it was possible to write about a place if you had never been there. Would you have been able to write your “on the road” novel if you hadn’t traveled America so extensively?
TN: Touch And Go happens to be narrated by a blind person and although I haven’t been to all the towns he goes to on his road trip across America, I tried to write about the geography from his perspective.
UC Santa Cruz
LM: What was your experience at UCSC?
TN: UCSC was a lively environment where I got to delve into my passion for writing and fiction. There was a wide range of professors there that allowed and helped me do that. It was also a great place for me because I was interested in both politics and fiction so the political sciences department, cultural studies, American studies… it’s a university whose boards and departments do a lot of work with each other across cultures and disciplines. It was a good place for me.
LM: Do you think you needed to go back and get a PhD before you could really dive into writing?
TN: Well I was already trying to dive into writing but I needed a way to make a living. I was interested in teaching and I was interested in literature related research but it was new to me. I had been making a living writing after college but I wanted the opportunities that a graduate program could provide. Everything I’ve done since then would not have been possible without that degree.
LM: There are currently a lot of proposed cutbacks for the humanities at UCSC and many argue that writing is something that cannot be taught. Do you agree with that?
TN: No. I taught creative writing when I was there and I do think that writing is a craft that you can teach. I don’t think you necessarily have to go through a creative writing program to be able to write but I do think it saves a lot of time. I’ve seen cutbacks on a lot of campuses and I think that education is something that we need to value and fund more.
Touch and Go
LM: What inspired you to write your new novel Touch and Go being sold September 2011?
TN: It was a long process. I’ve been writing fiction for about twenty-five years. For about five years I tried my hand at children’s books. What that taught me was a lot about audience. You can fake it or pretend that audience doesn’t matter with adults, but with kids they’re either interested or their not. So you learn pretty fast whether it works. In 2005 I had the ideas of a road trip novel with these characters, and that was the germination of this book.
LM: It sounds as if your novel has changed drastically in the last six years- what is your editing process?
TN: I took the first draft to a writing group and since then I’ve worked with other people I know and provided them with drafts. After the manuscript won an award, I was able to get an agent. She gave me feedback, and I got rejection letters from different publishers that helped me edit. It’s gone through seven major rewrites in six years and it’s been a learning process.
LM: Jonathan Franzen said: “Touch and Go is a strong debut—a high-velocity vision quest that keeps surprising and surprising.” — How do other writers in Santa Cruz, such as Franzen, inspire or support your own literary career?
TN: Jonathan Franzen has been a great mentor for me and I’ve known him now for four years. As I’ve become more professional in my writing, and as I’ve tried to know more people in the field- to understand not just the writing but the business aspects including agents and publishers- Jonathan has helped quite a bit with the timing of the business and some of the people and introductions that you need. A creative writing program can also provide you with contacts and avenues into the field. I think no matter where you live as a writer, it is very important to go to workshops, different conferences, and do what you can to meet people in the field who are working as writers.
LM: How do you think it changed your process to be publishing later in your career?
TN: Well I’m proud to be able to say that I’ve always made my living as a writer. I wouldn’t have expected it. The way that I’ve written was to find places that need writers and write for them… Because I wasn’t published in fiction I had to pursue such things as speech writing, grant writing and other forms. I think that has expanded my field of expertise and what I know about the world. When I was younger I didn’t know enough about writing and now I’m humble and more experienced.
LM: What was it like to work with your publisher, Unbridled Books?
TN: It’s been a great experience both in terms of the content- the editing they’ve done has improved the book- and also around the actual design and the layout… I’m looking forward to the next few months!
LM: Do you remember a moment when you thought, “this is a done novel?”
TN: I remember twenty such times. I’ll convince myself one day “this is really good writing,” and the next day it’s not so good. My novel has gone from five hundred to three hundred pages, and a lot of elements have been taken out, but it’s a better book now that it’s been streamlined. Hearing the story through the eyes of Kevin, the narrator, has changed what this book is and the trajectory of why it matters and for whom.
LM: Do you get attached to parts that you later have to cut out?
TN: Because of my work in writing in other fields I’m not committed too much of anything, except to make it better and to make it work and to learn from it. Because of that I’m very open to change and that has helped. You need a certain distance from a piece to be able to look at it and see what is needed and what is not. Once you figure out what matters, for whom, and for what ends, then the writing can fall together.
LM: Have you started thinking about your next book?
TN: I have. I’ve begun working on it and I have a cast of characters and a plot I’m working through now.
Writing As a Practice
LM: Do you have a writing routine?
TN: When I’m working on a book I try to get up early and write in the morning. I try not to look at a blank page in the morning so I work from something I was writing the day before. I’ll work on rough material, then I’ll write some new material and at the end of the day I’ll sketch forward, moving my thoughts forward. I don’t feel like any of it has to be perfect writing because the next day I’ll go back over it and work through the parts that were sticky the day before. When I feel as if I have to get something perfect, it makes it harder to get going. A key element is getting there and starting working.
Future Dreams and Present Worries
LM: What is your wish for Touch and Go?
TN: My wish is that it gets read. Publishing is going through such an upheaval right now in terms of how to access writing and who publishes and to which audiences… What is the role of bookstores versus kindles versus ipads? There is a wide range of formats and venues so my goal is try to get read by as many people as possible… and try to get some reviews and get some buzz going on it. And my novel will be available both electronically and in book form.
LM: The world of publishing is changing in such good and bad ways- while underground publishers are popping up and it is easier to self publish with a simple word document- it is becoming harder to succeed as literature is overrun by genre fiction. Do you feel that these changes are positive or negative?
TN: Well I’ve been working through this publishing process for three years and it’s been very difficult. Another issue is the crash and the recession in the US and the publishers have been a big part of this. Publishers are scared to take on a new writer who doesn’t have a big following so there are risks involved in that. On the other hand, self- publishing is an option, but the problem with that is distribution. I feel lucky to be with Unbridled because they are invested in my book and convinced that it is going somewhere so I’m excited to be a part of that.
LM: So you are optimistic about the future of literature?
TN: Yes. The future of publishing is a different thing, though. I think people will continue to write and read, the question is what format will they read in? Currently the Internet allows a greater diversity of books, but how do you find the books that are great? Do you rely on a reviewer? Do you rely on the web? What makes it a good book? That’s been contested since the beginning. There are a lot of people writing a lot of great things and its fun to be a part of that whole environment. Now that I’m published I have a lot of people tell me they have stories to write and I encourage them to write. It’s one thing to have a story and it’s another thing to actually write it. For me it’s been a hard process and a learning process and, ultimately, a process of self-discovery. I think anything that gets people reading is good.
Advice For Up and Coming Writers
LM: Do you have any advice for up and coming writers, such as myself?
TN: Read and write. Learn about the business and writing as a whole. Find out what you like about it and do those pieces, but also find out what you don’t like about it and if you want to make a living at writing, you have to do those pieces too, or find someone else who can help you with those pieces. Contacts and mentoring is important. When I was young in my career I had a hard time asking for help. Do that, because people want to help. Now that I’m at the other end of it I’d be glad to help young writers
LM: So what steps would you take if a young writer brought you their work?
TN: Often they’ll need help with publishing or editing, or I could connect them to other writers working in a writing group. It’s good to ask in the beginning for help with craft, and one way to improve would be to read and write a lot. Figure out what you like to write, and what voices you can summon.
Thad Nodine seems to be at a jumping off point in his life. With his first novel hot off the presses and his career as a fiction writer finally taking flight after many years of hard work, he is filled with a palpable excitement. Nodine explores the weightier aspects of writing with the ease of a practiced hand as he succumbs to the voices of characters that guide his stories. Fresh from battle with the world of publishing and the shaky economy of literature, Nodine serves as a venerable peephole into the ever-changing world of fiction. After the interview I stepped back into the Santa Cruz sun with an image burnished into my mind: Thad Nodine sitting with the first copy of his novel on his lap, the crisp white pages yearning to be read. I drove away hopeful that in a world of cutthroat authors and narrowing literary interest, an older, self-taught author can still break onto the scene armed only with a love of writing and a passion for sharing his story.
I encourage anyone who has a story itching to be told or a long buried manuscript to contact Thad Nodine or any of the other numerous authors in the Santa Cruz area for inspiration and guidance.
Molly Antopol
(B.A., UCSC, 1991, Writer) is a recent Stegner Fellow in fiction at Stanford, where she works as a lecturer. Her work has appeared in One Story, American Short Fiction, The Mississippi Review Prize Stories, Nimrod’s Prize Stories, NPR’s This America Life, The Rumpus, and Croatia’s magazine Zarez.
More Details
After finishing her B.A. at UCSC in 1991, Molly Antopol earned her MFA at Columbia University. She is a recent Stegner Fellow in fiction at Stanford, where she works as a lecturer. Her work has appeared in One Story, American Short Fiction, The Mississippi Review Prize Stories, Nimrod’s Prize Stories, NPR’s This America Life, The Rumpus, and Croatia’s magazine Zarez, and recently, her short story “The Quietest Man” was recognized in The Best American Short Stories of 2011. She currently lives in San Francisco, where she is working on a collection of short stories and a novel. Antopol talked to us about her experience at UCSC and offered advice to current students.
What did you enjoy most about your time at the Creative Writing program?
I honestly loved everything about it — I found a few really wonderful readers, I loved having the time to write, and most of all I feel really grateful to have worked with Micah Perks. I must have taken five or six workshops with Micah, and I owe so much to her — she was so supportive, generous, patient, rigorous and involved. She genuinely seemed to care about all of her students and their fiction — I graduated thirteen years ago and I still see her as a model, both as a writer and a teacher.
Do you have any advice for current UCSC creative writing students?
Stay in touch after graduation with the people in workshop who were good readers for you — I continued to trade work with friends from UCSC for years, and it was unbelievably helpful.
Kate Schatz
(B.A., UCSC, 2003) is a writer and co-editor of The Encyclopedia Project.
More Details
What was something memorable about the Creative Writing program at UCSC?
So many! Seeing my name on the list of accepted students; awesome workshops with Karen and Micah; delirious late-night writing sessions with my best friend and co-CW student Chiara Barzini; discovering the writings of Ben Marcus and Thalia Field when they came to do job talks; the excitement and stress of editing Red Wheelbarrow; readings at The Barn (pretty sure it’s defunct now, but it was a great place for the literary types to hang out back in the day); Senior Thesis reading; actually finishing my thesis project!
What are you reading right now?
Aside from stacks of student plays (see the next question), emails, political blogs, and all the back issues of The New Yorker that keep piling up in my house? I adored Patti Smith’s Just Kids; am loving and about to finish Eileen Myles’ Inferno; and just bought and am already reveling in The Collected Stories of Lydia Davis. Others on my to-read list include Danielle Dutton’s Sprawl and Rebecca Solnit’s Storming the Gates of Paradise: Landscapes for Politics. I also have to finish Jonathan Safron Foer’s Eating Animals, which I think is fantastic and crucial, but I keep forgetting to read the last 40 pages!
What are you doing now professionally?
I teach Literary Arts at Oakland School for the Arts, an arts school located in Oakland’s historic Fox Theater. I also co-edit The Encyclopedia Project; we just published the second volume of our project, Encyclopedia Vol 2 F-K. I published a book of fiction, Rid of Me: A Story, three years ago. I also continue to write, when I can find the time! (see below…)
Do you still write, and if so how do you find the time?
Yes, though with work, Encyclopedia, and—most significantly—my dear toddler Ivy, I’m not producing as much as I was pre-baby. I’m working on a new story right now, though, and I did complete a 50,000 word “novel” during National Novel Writing Month (I put the air quotes around “novel” because it’s an unedited crazy mess. But hey! I did it 🙂 NaNoWriMo was great because it helped me figure out how to prioritize my writing—I’ll be writing a screenplay in April for ScriptFrenzy, the NaNoWriMo screen/playwriting component.
Earnest Hemingway has been described as a master of brevity. Let’s one-up him. Could you describe your favorite written work (written by you) in a single word?
Weird.
Your least favorite?
Nevermind.
And finally, do you have any words of advice for Creative Writing majors, or for people who are interested in applying?
For those considering applying: Do it! Submit work that shows a range and a willingness to take creative and aesthetic risks. And if you don’t get in right away, keep at it! Apply again and again. For current CW majors: Write, write, write, and read, read, read. Immerse yourself in the literary world: discover new writers and presses, go to readings, browse independent bookstores. Take advantage of this magical time when you can produce and produce, and get focused feedback and attention from amazing faculty and willing peers. Have fun, take risks. Be awesome.
Highlights
Molly Antopol
B.A., UCSC, 1991, Writer. After finishing her B.A. at UCSC, Molly Antopol earned her MFA at Columbia University. She is a recent Stegner Fellow in fiction at Stanford, where she works as a lecturer. Her work has appeared in One Story, American Short Fiction, The Mississippi Review Prize Stories, Nimrod’s Prize Stories, NPR’s This America Life, The Rumpus, and Croatia’s magazine Zarez. She currently lives in San Francisco, where she is working on a collection of short stories and a novel.
Sarah Ghazal Ali
B.A., UCSC. Sarah Ghazal Ali is the author of Theophanies (Alice James Books, 2024), selected as the Editors’ Choice for the 2022 Alice James Award. A Djanikian Scholar and winner of the 2022 Sewanee Review Poetry Prize, her poems and essays appear in POETRY, American Poetry Review, Pleiades, Hayden’s Ferry Review, the Rumpus, and elsewhere. She is an associate editor for West Branch and a Stadler Fellow in Literary Editing at Bucknell University. Learn more at sarahgali.com.
Alfred Arteaga
Ph.D. UCSC, 1987. Writer, Poet. Alfred Arteaga was a writer, poet, and scholar, who received many awards for his work, including a Rockefeller scholarship, a National Endowment for the Arts Creative Writing Fellowship in Poetry, and the PEN Oakland/ Josephine Miles Literary Award. His poetry collections includeCantos (1991), Love in the Time of Aftershocks (1998), Red (2000), and Frozen Accident (2006). He taught literature at UC Berkeley in the Department of Ethnic Studies from 1990-2008. He passed away in 2008.
Kat Bailey
B.A., UCSC, 2008. Writer. Kat Bailey is a contributing writer based in the Bay Area. She currently contributes to outlets including 1UP.com, Joystiq, and Official Xbox Magazine, and hosts the monthly RPG podcast Active Time Babble.
Meliza Bañales
B.A., UCSC, 2000. Meliza Bañales (aka Missy Fuego) is an author, advocate, and adventurer. They were a 2016 Lambda Literary Finalist for Best LGBT Debut Fiction for their novel Life Is Wonderful, People Are Terrific. Their poetry and prose have been anthologized in the United States, Canada, Mexico, and Europe since 1997 and has been featured on NPR, Encyclopedia Brittanica, Lodestar Quarterly, and The Washington Square Review. Originally from Los Angeles, she grew up the youngest of four children to a Mexican-American father and a Scottish-Dutch mother. She was a fixture in the Spoken-Word, Slam, & Queer artist communities of the SF Bay Area from 1996-2011, touring with Sister Spit and Body Heat. She competed on three national poetry slam teams (98, 99, & 02) and was Grand Slam Champion in 2002 & Legend of Slam in 2014. Her short films have appeared at Frameline and Outfest, and they were the inaugural winner of the Jury Award at the Los Angeles Transgender Film Festival in 2011. They served as a Lecturer of Literature and Creative Writing at UC San Diego from 2015-2020. They received a BA with Honors in Literature from UC Santa Cruz in 2000 and an MA in English & an MFA in Poetry from San Francisco State University in 2003. Their latest book, roōt for the underdog: poems, is out now on Dodsworth Books and they are a member of the West Hollywood Slam Team. They live in Los Angeles.
Chiara Barzini
B.A., UCSC. http://www.chiarabarzini.com Chiara Barzini is an Italian author and screenwriter, nominated among the 100 most influential Women of 2020 by Forbes Italy. She is the author of the story collection Sister Stop Breathing (Calamari Press, 2012) and the novel Things That Happened Before The Earthquake (Doubleday, 2017.) Her fiction has appeared in numerous anthologies and journals, including Bomb, Noon, Freeman’s, LitHub, The Los Angeles Review of Books, NY Tyrant, ZYZZYVA, and the anthology Tiny Crimes edited by Lincoln Michel and Nadxieli Nieto. She has a regular column in D Repubblica and has written articles and profiles in Rolling Stone, Vogue, T Magazine, Interview, Harper’s, Vanity Fair Italy, Vice, and Dazed&Confused, amongst others. She has recently translated Goliarda Sapienza’s poems into English and is at work on a translation of Diane Williams’ latest story collection into Italian.
Shelley Bates
http://www.adinasenft.com Shelley Bates, who also publishes under the names Adina Senft and Shelley Adina, is the author of eighteen novels. She holds an M.F.A. in Writing Popular Fiction from Seton Hill University in Pennsylvania, where she teaches as adjunct faculty. Writing as Shelley Bates, she was the winner of RWA’s RITA Award for Best Inspirational Novel in 2005, a finalist for that award in 2006, and, writing as Shelley Adina, was a Christy Award finalist in 2009. Three of her books have shortlisted for the American Christian Fiction Writers’ Carol Award for book of the year.
Susan Blackaby
B.A., UCSC, 1975, Writer. Susan has worked in educational publishing for over 30 years. On the clock, Susan hones her skills writing fiction and nonfiction titles for the K–8 audience, including leveled readers, early chapter books, and high-low fiction and nonfiction aimed at helping children who are truly at sea. On her own time, she writes poetry, picture books, and middle-grade fiction and nonfiction. She is the author of Rembrandt’s Hat (Houghton Mifflin, 2002), named one of the top ten picture books of the year by the Washington Post; Cleopatra: Egypt’s Last and Greatest Queen (Sterling, 2009); a collection of poetry entitled Nest, Nook, and Cranny (Charlesbridge, 2010), recently included on the New York Public Library’s 100 Titles for Reading and Sharing; and Brownie Groundhog and the February Fox (Sterling, 2011). She lives in Portland, Oregon.
Julian Talamantez Brolaski
B.A., UCSC. Julian Talamantez Brolaski (it / xe / them) is a poet and country musician, the author of Of Mongrelitude (Wave Books 2017), Advice for Lovers (City Lights 2012), and gowanus atropolis (Ugly Duckling Presse 2011). Julian is a 2023-2024 Bagley-Wright lecturer, a 2021 Pew Foundation Fellow, and the recipient of the 2020 Cy Twombly Award for Poetry. Its poems were recently included in When the Light of the World was Subdued, Our Songs Came Through: A Norton Anthology of Native Nations Poetry (2020) and We Want It All: An Anthology of Radical Trans Poetics (Nightboat 2020). With band Juan & the Pines, Julian released the EP Glittering Forest in 2019; Julian’s first full-length album It’s Okay Honey came out in August 2023.
Camille Campbell
Creative Writing Alum. After graduating, Campbell landed in Los Angeles wanting to act and write, but didn’t want to wait tables, so she got an internship, just from applying to a post online, at River Road Entertainment, which made Brokeback Mountain and 12 Years a Slave. Immediately she put her degree to work, dissecting stories and analyzing what made them worth telling. Ironically, the very first script they gave her to read took place in Santa Cruz. But she got to sit in the creative meetings with the executives and express her opinions about material, and from there, after a long time working another part time job as well and paying her dues, Campbell started working as the Assistant to the President. Although a heavily administrative position, Campbell got to keep being part of the creative team and learn how a movie is developed. After four years at River Road, she moved to DreamWorks and spent time on different desks within the studio’s departments. In talking about her year working with the Director of Development, she says, “…I helped with notes on the different projects, and again the notes that screenwriters are given are similar to the notes you get in a creative writing seminar. I now work for the President of Production, and it’s an amazing front row seat to movie making. While I’ve been here, I’ve watched The Light Between Oceans and The Girl on the Train go from books to movies. Throughout this whole trajectory, by reading so many screenplays, I learned how to write them, so I wrote my first feature. Ultimately that’s what I would like to do, to write and make my own movies, but I think using what I learned at UCSC to support myself by working in Development has been a great way to start off in Hollywood.”
Camille Campbell has a blog detailing her life in Los Angeles which you can find here.
Kathryn Chetkovich
B.A., UCSC, Writer, Playwright. Kathryn Chetkovich is the author of Friendly Fire, which won the Iowa Short Story Award and the John Simmons Short Fiction Award, and Acts of Love. She also wrote the play She Said, She Said, and her essays and short stories have been published in several publications, including ZYZZYVA and Granta.
Lawrence Coates
B.A., UCSC, Writer. http://lawrencecoates.com Lawrence Coates has published five books, all set in Northern California. Most recently, he published The Goodbye House, a novel set amid the housing tracts of San Jose in the aftermath of the first dot com bust and the attacks of 9/11. He also recently published a novella, Camp Olvido, set in a labor camp in California’s Great Central Valley. His work has been recognized with the Western States Book Award in Fiction, the Donald Barthelme Prize in Short Prose, the Miami University Press Novella Prize, and a National Endowment for the Arts Fellowship in Fiction. He is currently a professor of creative writing at Bowling Green State University.
Justin Coupe
B.A., UCSC, 2004. Screenwriter. Justin Coupe is the writer, producer, and director of the documentary, Rivers of a Lost Coast, which explores the history of fly-fishing in California in the early 1900s. In October of 2008, Justin finished principle photography on Cloud’s Rest, a documentary that follows Austin Taylor, an inspirational man disabled by cerebral palsy, along his amazing, off-trail journey to the top of Cloud’s Rest Peak in Yosemite National Park.
Jacob Cribbs
B.A., UCSC, 2009. Playwright, writer. Jacob Cribbs has written two full-length plays, a one-act, currently resides in Brooklyn, NY as a freelance creative-work consultant, poet, and aspiring dramatist. His work has appeared in various magazines, including The Cossack Literary Journal. He received the 2009 Dharma Grace Award for his play, “The Animals of Omaha.”
Jane Delury
B.A., UCSC. Writer. Jane Delury is the author of The Balcony, a novel-in-stories, which won the Sue Kaufman Prize for First Fiction from the American Academy of Arts and Letters. Her new novel, Hedge, is forthcoming from Zibby Books in June 2023. Her short stories have appeared in Granta, The Sewanee Review, The Southern Review, The Yale Review, Glimmer Train, Narrative, and other publications. Her awards include a PEN/O. Henry Prize, a Pushcart Special Mention, and grants from the Maryland State Arts Council. Her essays have appeared in Real Simple, Oprah.com, LitHub, and Poets and Writers. She holds a BA in English and French literature from UC Santa Cruz, a maîtrise from the University of Grenoble, and an MA from the Johns Hopkins Writing Seminars. A professor at the University of Baltimore, she teaches in the MFA in Creative Writing & Publishing Arts and directs the BA in English. She lives in Baltimore with her partner, the writer Don Lee, and her daughters. She can often be found sneaking into old buildings.
Justin DiPego
Justin DiPego is an author, screenwriter, horseman and artist with a passion for storytelling across multiple genres and media. He lives in a 100 year old haunted house in South LA and is slowly fixing it up (but not exorcising it) with his wife and their dog.
After majoring in literature with an emphasis in creative writing at the University of California Santa Cruz, Justin has written such films as Ghost of New Orleans (starring Terrence Howard, Lake Bell and Josh Lucas) and Tempting Fate (starring Tate Donovan and Ming-Na Wen). He wrote, produced, directed and starred in the award-winning independent horror feature, #1915House. Development deals include Touchstone Pictures and MGM. His debut novel, exploring the mean streets of LA’s skid row, Seven o’Clock Man, launched to five-star reviews. His second novel, an illustrated urban fantasy, Wrong Side of a Workingman debuts on May 13th, 2022.
Katie Wheeler-Dubin
I Went to Sleep Drunk and Woke up Hungry
Katie Wheeler-Dubin moved from San Francisco to New Orleans in May of 2014, and her book, I Went to Sleep Drunk and Woke up Hungry is an experimental memoir of her summer living and loving in New Orleans. The zine is a collection of typed letters, texts, hand-written notes, dragon drawings, photographs and snapchats. Katie printed all the text on a Brother printer, and printed the cover, fold-out poster and photographs on a Risograph printer, thanks to fellow UCSC alumni and printmaker, Max Stadnik. She perfect-bound an edition of 300 in a studio in West Oakland.
Katie Wheeler-Dubin loves collaboration and direct sunlight and dancing. She was born and raised in San Francisco and wonders at her future, having become a professional subletter. She has performed at Kerouac Alley, the Bywater Wonderland of New Orleans, Cynic Cave, the Jewish Contemporary Museum of San Francisco, San Francisco’s Koret Auditorium, Viracocha, LitCrawl, The Santa Cruz Art Bar, The Portuguese Artist Colony and way back in the day, UCSC’s undergraduate Literature Colloquium. She serves as the films director for Quiet Lightning’s advisory board, co-produces a mixed-media storytelling show called Story²: Show and Tell, and performs for the monthly storytelling show, Crushes, Loves and One-Night Stands. This summer, she will be making an experimental documentary about San Francisco with Camilla Puccini and Quiet Lightning while raising a kitten. At the end of the day, she enjoys a whiskey, neat, and good loving. She shouts out to all those indigo children unpacking the spoiled meat in their hearts.
David Ehrman
B.A., UCSC, 1971, Screenwriter. David Ehrman is an Emmy-nominated writer with 30 years experience in the entertainment business as a writer, producer and studio executive and the former vice president of creative affairs at Walt Disney Productions. He has written for shows including Lincoln Heights, 24, Jag, Supernatural and The Fugitive. He is currently writing for the popular TV program Lie to Me starring Tim Roth. He lives in Los Angeles.
Cecilia Fairchild
B.A., UCSC, 2006. Poet, writer, performance artist. Cecilia Fairchild wrote a one-woman show and performed it at the Next Stage Theatre in Los Angeles. The show, called “Stripping in L.A.,” was a collection of monologues, poems, and a little bit of dance about a girl moving back to L.A. after living by the ocean for several years, trying not to lose herself in the craziness of the city.
Merrill Feitell
B.A., UCSC, 1993, Writer. http://merrillfeitell.com Merrill Feitell was awarded the Iowa Prize for Short Fiction for her first book, Here Beneath Low-Flying Planes. Her stories have been short-listed in Best American Short Stories and The O. Henry Awards, and she has received fellowships from Yaddo, MacDowell, the Bread Loaf Writers’ Conference, Bronx Council of the Arts, SUNY Purchase, and the state of Maryland. She is part of the MFA faculty at University of Maryland is also Fiction Editor for the literary journal Forklift, Ohio: A Journal of Poetry, Cooking, and Light Industrial Safety. She lives in Baltimore.
Jason File
B.A., UCSC, 2004. Writer. Jason File is the author of Axis of Praxis, available on Amazon.
Sesshu Foster
B.A., UCSC, Poet. http://atomikaztex.wordpress.com Sesshu Foster has published several collections of poetry, including Invocation LA: Urban Multicultural Poetry (1989), City Terrace Field Manual (1996), Atomik Aztex (2005), American Loneliness: Selected Poems (2006), and World Ball Notebook (2008). He won the American Book Award and Asian American Literary Award for Poetry for World Ball Notebook, the Believer Book Award for Atomik Aztex, and the American Book Award for Invocation LA: Urban Multicultural Poetry. He has taught at the University of Iowa, the California Institute of the Arts, and UCSC.
Rebecca Gomez Farrell
B.A., UCSC, 2002, Writer. Rebecca Gomez Farrell writes speculative fiction, romance, and creative nonfiction out of Oakland, CA. Her debut novel, an epic fantasy titled Wings Unseen, will be published in 2017 by Meerkat Press. Her short stories and novellas have appeared in Bull Spec, Beneath Ceaseless Skies, Pulp Literature, Typehouse Literary Magazine, Clean Reads, and the Future Fire among other outlets. Becca’s food, drink, and travel writing can primarily be found at her blog, the Gourmez. For a list of all her published work, fiction and nonfiction, check out her author website at RebeccaGomezFarrell.com.
Sina Grace
B.A., UCSC, Writer, artist. http://www.sinagrace.com Sina Grace is a GLAAD media award-winning writer and artist living in Los Angeles, best known for a prolific library of work that balances slice-of-life, blockbuster action, and everything in-between. His groundbreaking Iceman series at Marvel Comics paved the way for Grace to work on all of his favorites: Jughead’s Time Police for Archie, Wonder Woman for DC, Go Go Power Rangers for Boom Studios, and The Haunted Mansion for Disney/ IDW. He is currently promoting Rockstar and Softboy at Image Comics, and Superman: The Harvests of Youth, a young adult graphic novel he wrote and illustrated at DC.
Reyna Grande
B.A., UCSC, 1999, Writer. http://www.reynagrande.com Reyna Grande’s new book, The Distance Between Us, is a memoir about her childhood in Mexico and her coming-of-age in the United States. The book ends when Reyna arrives in UC Santa Cruz, where she went on to become the first in her family to obtain a higher education. Her first novel, Across a Hundred Mountains, was her senior thesis at UC Santa Cruz, which went on to receive an American Book Award. She followed that book with Dancing with Butterflies in 2009. Both novels have been published in Norway, and publication will soon follow in South Korea.
Robin Gregory
B.A., UCSC, 1998, Novelist, screenwriter, poet. www.robingregory.net. Robin Gregory has been awarded the Kirkus Reviews’ Best Books of 2016, Indiefab 2015, IPPY Best Books of 2016, and two Eric Hoffer Awards for her début, young adult novel of magical realism, The Improbable Wonders of Moojie Littleman (available at Amazon, online sites, brick & mortar stores). Translations in Chinese and Turkish to be released 2018. She has written a screenplay adaptation with Producer John Crye (The Whale Rider, Donnie Darko, Memento), and the project is being developed for the big screen. Presently, she is writing a sequel to Moojie Littleman and a chapbook of poetry. She lives in Carmel with her husband and son.
Charlie Haas
B.A., UCSC, Writer, Screenwriter. Charlie Haas is the author of The Enthusiast (2009). He studied at UC Santa Cruz with Raymond Carver and James D. Houston and began writing screenplays with film teacher Tim Hunter. After moving to Los Angeles, Charlie continued writing with Tim while working as editorial director of Warner Bros. Records. His screenwriting credits include Over the Edge, Tex, Gremlins 2, and Matinee. While working on scripts, he began writing for magazines, and his work has appeared in The New Yorker, Esquire, The Threepenny Review, New West, Film Comment, The Village Voice, Outside, and a product of the L.A. art and punk scenes called Wet: The Magazine of Gourmet Bathing. His pieces have ranged from short humor to long reported essays, along with sports, food, art, music, and travel stories. He lives in Oakland.
Rob Halpern
Ph. D. UCSC, 2006, Poet. http://www.nonsitecollective.org Rob Halpern is the author of the poetry collections, Rumored Place and Snow Sensitive Skin (co-authored with Taylor Brady), Disaster Suites, and Music for Porn. A founder of the Nonsite Collective, Halpern’s work has appeared in many publications, including Journal of Narrative Theory, Modernist Cultures and ON: Contemporary Practice, and Chicago Review and Review of Contemporary Fiction. He lives in San Francisco and Ypsilanti, Michigan.
Kevin Hearle
M.A., 1990, Ph.D., 1991, Poet. Kevin Hearle was a National Poetry Series finalist for Each Thing We Know Is Changed Because We Know It, and Other Poems. His work has appeared in The Yale Review, The Georgia Review, California Poetry: from the Gold Rush to the Present, New California Writing 2012 and numerous other journals and anthologies. He was poetry co-editor of Quarry West from 1987-91, and the judge for the 2017 iteration of the California Poetry Society’s annual poetry contest. He has also edited or co-edited three books, including The Grapes of Wrath: Text and Criticism, and he has taught undergraduate creative writing courses at UCSC, UCSC Extension, and San Jose State, and graduate creative writing courses at Cal State L.A., and Notre Dame de Namur University. From 2008 to 2013, he was a visiting scholar at the Bill Lane Center for the American West at Stanford University.
Claire Hoffman
B.A., UCSC, 1999, Journalist. Claire Hoffman works is a freelance magazine writer living in Los Angeles. She is also an Assistant Professor of Journalism at the University of California, Riverside. Claire has written for a number of national magazines including Rolling Stone, Condé Nast Portfolio, the New Yorker, Details, Fortune and others. Before magazines, Claire was a staff reporter for the Los Angeles Times, where she covered everything from Hollywood, Scientology, and the adult entertainment industry. She also contributed reporting to a Pulitzer-prize winning series in the New York Times that investigated fraud and death by the American freight railroads.
Bell Hooks
Ph.D. UCSC, 1983, Writer, Activist. As an author, social activist, and feminist, bell hooks has published several articles and over thirty books, including Ain’t I a Woman?: Black Women and Feminism, All About Love: New Visions, We Real Cool: Black Men and Masculinity, and Feminist Theory: From Margin to Center. Her work discusses systems of societal oppression and class domination, and how they relate to race, class, and gender. She is the recipient of the American Book Awards/ Before Columbus Foundation Award, and was nominated for the Hurston Wright Legacy Award and the NAACP Image Award. The Atlantic Monthly named her “one of our nation’s leading public intellectuals,” and she was included in Utne Reader’s “100 Visionaries Who Could Change Your Life.”
Robert Irion
B.A., UCSC, 1988, Writer, Journalist. Robert Irion is a senior lecturer in science writing and directs the Science Communication Program at UC Santa Cruz. He is a freelance journalist for national science magazines and a former U.S. correspondent in astronomy and astrophysics for Science. His articles and essays have appeared in National Geographic, Smithsonian, Scientific American, Discover, New Scientist, Sky & Telescope, Reader’s Digest Books, and Muse. He has won three national writing awards for science journalism, including one from the American Institute of Physics for his book, One Universe: At Home in the Cosmos (Joseph Henry Press, 2000), coauthored with Neil deGrasse Tyson and Charles Liu. He lives in Santa Cruz.
Noria Jablonski
B.A., UCSC, 1991, Writer. Noria Jablonski is the author of the story collection Human Oddities. Her stories have appeared in Swink, Monkeybicycle, KGB Bar Lit, and the anthology Who Can Save Us Now?: Brand-New Superheroes and Their Amazing (Short) Stories. She teaches at UC Santa Cruz and was a 2007 Artist in Residence at Headlands Center for the Arts in Sausalito, California.
Genevieve Kaplan
B.A., UCSC. Genevieve Kaplan is the author of (aviary) (Veliz Books, 2020); In the ice house (Red Hen Press, 2011), winner of the A Room of Her Own Foundation‘s poetry publication prize; and three chapbooks: In an aviary (Grey Book Press, 2016), travelogue (Dancing Girl, 2016), and settings for these scenes (Convulsive Editions, 2013). Her poems can be found in Third Coast, Spillway, Denver Quarterly, South Dakota Review, Poetry Magazine, and other journals. A poet, scholar, book-maker, and fiber artist, Genevieve earned her MFA in Poetry from the Iowa Writers’ Workshop and her PhD in Literature & Creative Writing from the University of Southern California. She edits the Toad Press International chapbook series, publishing contemporary translations of poetry and prose. She lives in southern California.
Stephen Kessler
M.A., Literature, 1969, Writer, Poet. www.stephenkessler.com Stephen Kessler is the author of ten books of original poetry, fifteen books of literary translation, three collections of essays, and a novel, The Mental Traveler. He is the editor and principal translator of The Sonnets by Jorge Luis Borges (Penguin Classics, 2010) and for sixteen years (1999-2014) was the editor of The Redwood Coast Review, four-time winner of the California Library Association’s PR Excellence Award. His translations of the Spanish poet Luis Cernuda have received a Lambda Literary Award, a PEN Center USA Literary Award, and the Harold Morton Landon Translation Award from the Academy of American Poets. His translation of Save Twilight: Selected Poems by Julio Cortázar received a 2017 Northern California Book Award. He lives in Santa Cruz and is a regular contributor of op-ed columns to the Santa Cruz Sentinel.
Laurie R. King
B.A., UCSC, 1977. http://www.laurierking.com Laurie R. King is the author of more than twenty books, including The Beekeeper’s Apprentice and A Grave Talent. She is best known for her detective fiction. Her books have won the Edgar, Creasey, Wolfe, Lambda, and Macavity awards, and appear regularly on the New York Times bestseller list.
Lindy Lavender
B.A., UCSC, 2010. Lindy has worked for a state senator. She writes, “I am surprised by how often I use my creative writing background. I think writing gave me a greater sense of empathy, and an eye for observing the world around me. It also helped me to be more careful about how I craft my words, which comes in handy when dealing with gun enthusiasts.”
Beth Lisick
B.A., UCSC, Writer. http://www.bethlisick.com Beth Lisick is the author of Helping Me Help Myself and the New York Times bestselling comic memoir, Everybody Into the Pool. She performs in the queer literary roadshow, Sister Spit, and she has also toured as a solo spoken word performer and the front person for the band the Beth Lisick Ordeal. She is the co-curator for San Francisco’s Porchlight Storytelling Series with Arline Klatte. Her book, Yokohama Threeway, is due out in 2013.
Krista Mahr
B.A., UCSC, Journalist. Krista Mahr is TIME’s South Asia Bureau Chief and correspondent in New Delhi, India. She has worked in TIME’s Tokyo bureau and Time Asia’s headquarters in Hong Kong.
Laura Marello
B.A. 1977 UC Regents Scholar, Phi Beta Kappa 2006. Laura Marello’s books with Guernica Editions include Claiming Kin, The Tenants of the Hotel Biron, Maniac Drifter, Gauguin’s Moon, and Matisse: The Only Blue. Other books include The Gender of Inanimate Objects and Other Stories (Tailwinds Press) and Finishing Line Press: Balzac’s Robe and Other Poems (Finishing Line Press). She was a Stegner Fellow and has received fellowships from the Fine Arts Work Center and the National Endowment for the Arts.
Nina Marie Martinez
B.A., UCSC, 1998, Writer. Nina Marie Martinez is the author of ¡Caramba! (2005) and the recipient of the 2006 Whiting Writers’ Award. She was born in San José, California to a first generation Mexican-American father, and an American mother of Germanic descent. A high school dropout, she holds a B.A. in literature from the University of California at Santa Cruz. She currently lives in Northern California, where she is at work on her second novel.
Martha Mendoza
B.A., UCSC, Journalist. Martha Mendoza is a journalist for the Associated Press and co-writer of the book, The Bridge at No Gun Ri, which won several awards, including the Pulitzer Prize in 2000 for investigative journalism. She worked for the Madera Tribune, the Bay City News service and the Santa Cruz County Sentinel before joining the AP in 1995. She is currently AP’s San Jose, California correspondent.
Jane Parks-McKay
B.A., UCSC, 1992. jane Parks-McKay entered college with a best-selling book already in her repertoire. Following graduation, she began a public relations company and soon after became a freelance reporter and recieved a Pulitizer Prize nomination for her work. Parks-McKay has been a prominent advocate for traumatic brain injury patients since 2007, and has in recent years won several awards for her publications about her experiences. She currently lives in Santa Cruz with her husband and fellow advocate for TBI patients.
Elizabeth McKenzie
B.A., UCSC. Writer. Elizabeth McKenzie’s novel MacGregor Tells the World was a San Francisco Chronicle, Chicago Tribune and Library Journal Best Book of 2007; her short story collection, Stop That Girl, was short-listed for the Story Prize and was a Newsday and Library Journal Best Book of 2005. Her work has appeared in Pushcart Prize XXV and Best American Nonrequired Reading, has been performed at Symphony Space in New York and Stories on Stage in Chicago, and recorded for NPR’s Selected Shorts. She was the recipient of a National Endowment for the Arts/Japan-US Friendship Commission Creative Artist Fellowship, and is the editor of My Postwar Life: New Writings from Japan and Okinawa, published in 2012.
Nils Michals
B.A., UCSC, Poet. www.nilsmichals.com
Nils Michals is the author of two collections of poetry, Come Down to Earth (Bauhan, 2014) and Lure (Pleiades, 2004). He lives in Santa Cruz and teaches at West Valley College.
Daniel Mirk
B.A., UCSC, 2006. Writer. http://danielmirk.tumblr.com Daniel Mirk worked as a full-time writer for the Onion News Network web series, writing on over 300 videos. He also wrote for the Onion News Network TV series, which ran for two seasons on IFC. Since leaving The Onion in 2012, Mirk has written for the Upright Citizens Brigade, Funny Or Die, Comedy Central, and various other comedy outlets. He also directs sketch and video teams at the UCB theater in New York.
Harryette Mullen
Ph.D. UCSC, Writer, Poet. Harryette Mullen is the author of several short stories and collections of poetry, including S*PeRM**K*T (1992), Trimmings (1991), and Tree Tall Woman (1981). She is the recipient of several awards, including the Gertrude Stein Award for innovative poetry, a Katherine Newman Award for best essay on U.S. ethnic literature, a grant from the Foundation for Contemporary Arts, and a fellowship from the John Simon Guggenheim Memorial Foundation. Her poetry collection, Sleeping with the Dictionary (2002), was a finalist for a National Book Award, National Book Critics Circle Award, and Los Angeles Times Book Prize. She received a PEN Beyond Margins Award for her Recyclopedia (2006). She currently teaches creative writing, American poetry, and African American literature at University of California, Los Angeles.
Emma Nadler
B.A., UCSC, 2002, Psychotherapist, Author, Speaker. Emma Nadler is the author of a new book, The Unlikely Village of Eden (Central Recovery Press, 2023), a funny and hopeful memoir about learning to adapt when life doesn’t go to plan, redefining family, and creating your own imperfect path. Bestselling author Adam Grant called the book, “A stunning debut memoir by a gifted writer and psychotherapist.” Readers have shared tearing through this page turner in 1-3 days while laughing and crying, sometimes at the same time.
Heather Nagami
B.A., UCSC, Poet. Heather Nagami is the author of Hostile, a collection of poetry. Her poems have appeared in Antennae, Rattle, and Xcp (Cross-Cultural Poetics). With her husband, Bryan, she runs overhere Press, a small press that publishes hand-bound chapbooks with an emphasis on poets of color and other underrepresented peoples. She teaches college writing at Northeastern University in Boston.
Catherine Newman
Ph.D., UCSC, 1999. Writer. Catherine Newman has written the grown-up parenting memoirs Catastrophic Happiness (Little, Brown) and Waiting for Birdy (Penguin). She has also written the middle-grade novel One Mixed-Up Night (Random House), Stitch Camp, which is a kids’ craft book she co-wrote with Nicole Blum, and the award-winning skill-building book for kids How to Be a Person and the forthcoming What Can I Say? (both from Storey). Her first adult novel, We All Want Impossible Things (Harper), came out in November 2022. She has also written about kids, parents, teenagers, food, cooking, love, loss, gender, eating, death, sex, politics, books, babies, snakes, foraging, relationships, crafts, holidays, travel, and fortune telling for lots of magazines, newspapers, and online publications, including the New York Times, O the Oprah Magazine, The Boston Globe, Romper, Self, The Huffington Post, FamilyFun, Parents, and Full Grown People. She is a regular contributor to the Cup of Jo website. She has been the etiquette columnist at Real Simple for ten years. She edits the James-Beard-Award-winning nonprofit kids’ cooking magazine ChopChop. Her work has been in several anthologies, including On Being 40, the fabulous Unbored series, The Bitch in the House, Oprah’s Little Book of Happiness, and the Full Grown People collections.
Thad Nodine
http://nodine.net Thad Nodine is the author of Touch and Go, which won the Dana Award for the Novel. He received his Ph.D. in literature at UC Santa Cruz. Nodine previously worked as a speech writer for U.S. Senator Lawton Chiles; a publishing director for an art gallery in Santa Fe, NM; a journalist in New Mexico, Colorado, and Japan; a college lecturer and writing instructor in California and Japan; a communications director and vice president of national education policy organizations; and an education policy specialist. At UCSC, Nodine taught creative writing and was co-fiction editor of Quarry West magazine.
Melinda Palacio
B.A., UCSC, Poet, Novelist. Melinda Palacio is an award-winning poet and novelist. She lives in Santa Barbara and New Orleans. She holds a B.A. in Comparative Literature, a B.A. from UC Berkeley and an M.A. from UC Santa Cruz. She is a 2007 PEN Center USA Emerging Voices Rosenthal Fellow and a 2009 poetry alum of the Squaw Valley Community of Writers. Her poetry chapbook, Folsom Lockdown, won Kulupi Press’ Sense of Place 2009 award. She is the author of the novel, Ocotillo Dreams (ASU Bilingual Press 2011), for which she received the Mariposa Award for Best First Book at the 2012 International Latino Book Awards and a 2012 PEN Oakland-Josephine Miles Award for Excellence in Literature. Her short story and excerpt of her novel-in-progress was a 2012 Glimmer Train Finalist. She also writes a column for La Bloga. Her short stories and poetry have appeared in a variety of journals and anthologies including Latinos in Lotusland: An Anthology of Contemporary Southern California Literature, PALABRA: A Magazine of Chicano & Latino Literary Art, Pilgrimage Magazine, Eleven Eleven, Black Renaissance/Renaissance Noire, Southern Poetry Anthology, New Poets of the American West, and Mary: a Journal of New Writing. Tia Chucha Press published her first full-length poetry collection, How Fire Is A Story, Waiting, (2012).
Michael Panush
B.A., UCSC, 2012. Michael Panush has published numerous short stories in a variety of e-zines including: AuroraWolf, Demon Minds, Fantastic Horror, Dark Fire Fiction, Aphelion, Horrorbound, Fantasy Gazetteer, Demonic Tome, Tiny Globule, and Defenestration. He is the author of Clark Reeper Tales, Stein and Candle, and Dinosaur Jazz.
Dana Priest
B.A., UCSC, Writer, Journalist. Dana Priest is the author of The Mission: Waging War and Keeping Peace With America’s Military. She was a guest scholar at the U.S. Institute of Peace and a recipient of the MacArthur grant, the Gerald R. Ford Prize for Distinguished Reporting on the National Defense in 2001, and the 2004 New York Public Library’s Helen Bernstein Book Award for Excellence in Journalism. In 2006 she won the Pulitzer Prize for Beat Reporting for her detailed reports on secret “black site” prisons and other controversial aspects of the government’s counter-terrorism campaign. She is the co-author of Top Secret America and the founder of Press Uncuffed, a campaign to help free imprisoned journalists around the world.
Dan Pulcrano
B.A., UCSC, 1980, Journalist, CEO. Dan Pulcrano founded Metro Newspapers 25 years ago, and now serves as its CEO and executive editor. The Metro Newspapers group includes Metro Silicon Valley, Santa CruzWeekly and the North Bay Bohemian. Dan has been involved in launching several pioneering online services, including LiveWire in the early 1990s, as well as Boulevards, a top 1000 Internet company that operates a network of city sites and MovieTimes.com.
Katie Quarles
Poet. B.A., UCSC, 2009. Katie Quarles was the recipient of the Ina Coolbrith Memorial Prize in poetry. She received second place in SPC’s poetry contest. Her work has appeared in The King’s English, Cahoots Magazine, Cause and Effect, and Apocryphal Text. She is currently finishing her first collection.
Rita Rosenkranz
Writer, Literary agent. http://www.ritarosenkranzliteraryagency.com Rita Rosenkranz is the founder of Rita Rosenkranz Literary Agency, and is the co-author, with Sheree Bykofsky and Ed Morrow, of PUT YOUR HOUSE ON A DIET: De-Clutter Your Home and reclaim Your Life (Rodale, 2005). She is a member of the Association of Authors’ Representatives (AAR), The Authors Guild, and Women’s Media Group.
Zoë Ruiz
B.A., UCSC, Writer. http://booksandbreath.wordpress.com Zoë Ruiz is a writer and yoga instructor who lives in Los Angeles. After studying creative writing at UC Santa Cruz, Zoë moved to the Bay Area and obtained an internship at 826 Valencia, a nonprofit dedicated to supporting students with their writing skills. She also worked as a Production Assistant and Morning News Writer for KPIX CBS in San Francisco. A year later, she moved to Los Angeles and used her writing skills as a Development Assistant at a nonprofit that offered free services for homeless women on Skid Row. During this time, she also became a volunteer for 826LA and recently obtained a position as a Volunteer Coordinator and Programs Assistant. Zoë practices yoga, makes stationary, and designs street literature projects. Her writing has appeared in The Rumpus, Utne.com, and you can find her self-published books at Occidental College Library. She’s grateful that she had the opportunity to study creative writing at UC Santa Cruz, because learned so much from her professors and peers. Her work has appeared in The Rumpus, Two Serious Ladies, and Fine Print. She is a staff member of FOUND magazine, as well as The Rumpus Saturday Editor. Currently she’s working on her interview project “Learn People Better” and curates READINGS, a reading series.
Melissa Sanders-Self
B.A., UCSC, 1987, Writer. Melissa Sanders-Self was born in Tennessee and currently resides with her husband and children in Santa Cruz, California. She was educated at Sarah Lawrence College, and the University of California, Santa Cruz, where she received her B.A. with highest honors in Creative Writing and Literature. She produced and wrote the documentary film, Writing Women’s Lives. It aired nationally on PBS and is currently available from Films for the Humanities. She was awarded artist-residencies at both the Djerassi Foundation and the Ucross Foundation. She has previously published short fiction with New Rivers Press. She is the author of All that Lives.
Kate Schatz
B.A., UCSC, Writer. http://www.kateschatz.com Kate Schatz is the author of Rid of Me. Her short fiction has appeared in the Oxford American, Denver Quarterly, Bitch, and other publications. She is the co-editor of the Encyclopedia Project with Tisa Bryant and Miranda Mellis. She currently teaches creative writing and journalism at the Oakland School of the Arts.
Michael Scherer
B.A., UCSC, Journalist. Michael Scherer is the White House correspondent for TIME. He has also worked for Salon.com, Mother Jones, and the Daily Hampshire Gazette. After receiving his B.A. from UCSC in creative writing, he attended Columbia University’s Graduate School of Journalism.
Natalie Serber
B.A., UCSC, Writer. http://www.natalieserber.com Natalie Serber is the author of the short story collection Shout Her Lovely Name (Houghton Mifflin, 2012). She received her MFA from Warren Wilson. Her stories have been published in The Bellingham Review, Inkwell Magazine, Third Coast, Fourth Genre, Hunger Mountain, and several other publications. She is the recipient of the John Steinbeck Award, Tobias Wolff Award, and H.E. Francis Award, and she was shortlisted in Best American Short Stories.
Brenda Shaughnessy
B.A., UCSC, Poet. Brenda Shaughnessy is the author of the poetry collections, Our Andromeda (2012), Human Dark with Sugar (2008), which was a finalist for the 2008 NBCC Award, and Interior with Sudden Joy (1999). Her poems have appeared in Harpers, McSweeney’s, The Nation, The New Yorker, The Paris Review, Slate.com and elsewhere. She is Poetry Editor-At-Large at Tin House Magazine, and is Assistant Professor of English and in the M.F.A. Program at Rutgers-Newark. She lives in Brooklyn with her husband, son, and daughter.
Matt Skenazy
B.A., UCSC, 2008, Journalist. Since graduation Matt has worked as the Associate Editor at Surfing Magazine and as an intern at Men’s Journal. He is currently a freelance writer; his work has appeared in Surfing Magazine, The Surfer’s Journal, Climbing Magazine, Australia’s Surfing Life, Santa Cruz Weekly, Good Times Santa Cruz, and Sierra Magazine. He lives in San Diego.
Patricia Stacey
B.A., UCSC, 1981, Writer. A writer, college teacher, and former editorial staff member of the Atlantic Monthly, Patricia Stacey lives with her husband, Cliff and their children, Elizabeth and Walker, in western Massachusetts. She has written for The Atlantic Monthly, O, The Oprah Magazine, and Cosmopolitan and is the author of The Boy Who Loved Windows (De Capo 2003). Patricia graduated UCSC in 1981 from Cowell College and will always regard it as home (note her affectionate references to the wisteria in Cowell courtyard in her O Magazine piece about desire).
Elizabeth Stark
B.A., UCSC, 1990, Writer. Elizabeth Stark is the author of Shy Girl (1999), a national bestseller on the Lambda Book Report list and a finalist for the Lambda Literary Award and the Ferro-Grumely Award. She has also published work in publications, including Curve, Lodestar Quarterly, Washington Square and the S.F. Bay Times. She has also written, produced and directed for the screen, and her works include FtF: Female to Femme, A Conversation with Elizabeth’s Father, and Little Mutinies. Currently, she offers private editing workshops and workshops.
Halley Sutton
B.A., UCSC, is a writer and editor who lives in Los Angeles. She graduated from Otis College of Art and Design with a master’s degree in writing, and from the University of California, Santa Cruz, with a degree in creative writing. Her first novel, The Lady Upstairs, was published by Putnam in 2020 and was nominated for a Lefty award. Her second novel, The Hurricane Blonde, was published by Putnam in 2023 and was an instant USA Today bestseller. Her writing has appeared in Ms., The Daily Beast, The Los Angeles Review of Books, CrimeReads, CrimeSpree Magazine, and more. You can find her on Instagram @halleysutton25 and on her Substack newsletter, Too Many Tabs.
Cole Swensen
Ph.D., UCSC, Poet, Translator. Cole Swensen is the author of more than twenty books of poetry and translations, including Goest, a collection of poetry which was a finalist for the National Book Award. She is the recipient of a Guggenheim Fellowship, two Pushcart Prizes, Sun & Moon’s New American Writing Award, and the Iowa Poetry Prize. Her translation of Jean Frémon’s The Island of the Dead won the 2004 PEN USA Literary Award for Translation. She has taught creative writing at the University of Denver and the Iowa Writers’ Workshop, and she currently teaches at Brown University.
Rachel Swirsky
B.A., UCSC, Writer, Poet. Rachel Swirsky is the author of Through Drowsy Park, a collection of feminist poems and short stories. Her work has also appeared in Tor.com, Subterranean Magazine, Fantasy Magazine, Weird Tales, and the Konundrum Engine Literary Review. Swirsky also blogs about feminist science fiction and politics. She earned her MFA at the Iowa Writers’ Workshop.
David Talbot
B.A., UCSC, Writer, Producer. David Talbot is the founder and former editor-in-chief of Salon.com. Since leaving Salon, Talbot has established a reputation as a revisionist historian, with his books, Brothers: The Hidden History of the Kennedy Years, Devil Dog: The Amazing True Story of the Man Who Saved America, and Season of the Witch: Enchantment, Terror and Deliverance in the City of Love. Talbot is now the co-founder of a media production company called the Talbot Players, a story factory producing books, films, TV series and documentaries. Their first production was Sound Tracks, a TV series that explores the world through music. It debuted on PBS on Jan 25, 2010.
Héctor Tobar
Writer, journalist. http://www.hectortobar.com Héctor Tobar is the author of The Tattooed Soldier, Barbarian Nurseries, and Translation Nation: Defining a New American Identity in the Spanish-Speaking United States. His third book, The Barbarian Nurseries, was named a New York Times Notable Book for 2011 and won the 2012 California Book Award gold medal for fiction. He is currently a weekly columnist for the Los Angeles Times. Previously, he was the paper’s bureau chief in Mexico City and in Buenos Aires, Argentina. He also worked for several years as the National Latino Affairs Correspondent. In 1992, he won a Pulitzer Prize for his work as part of the team covering the L.A. riots for the Los Angeles Times.
Truong Tran
Poet. B.A., UCSC, 1992. http://gnourtnart.com/home.html Truong Tran is a Vietnamese-American poet, visual artist, and teacher. He is the author of five collections of poetry, including Four Letter Words (2008), and a children’s book, Going Home Coming Home (2003). His collection dust and consciousness (2002) won the San Francisco Poetry Center Book Prize, and in 2003, he served as Writer in Residence for Intersection for the Arts. Tran currently lives in San Francisco, where he teaches creative writing at San Francisco State University, and is Writer in Residence at the San Francisco School of the Arts.
Amber West
B.A., UCSC, Poet, Playwright. West’s scholarship has been published in the Journal of Research on Women & Gender, Puppetry International, Episodes from a History of Undoing: The Heritage of Female Subversiveness, and The Routledge Companion to Puppetry & Material Performance. Her plays and “puppet poems” have been performed nationally. West’s poetry has appeared in journals and anthologies such as Rhizomes: Cultural Studies in Emerging Knowledge, Calyx, and Furies: A Poetry Anthology of Women Warriors. Finishing Line Press published her chapbook, Daughter Eraser, in 2015 and The Word Works published her full-length poetry collection, Hen & God, in 2017. She teaches writing at University of California, Los Angeles.
Malia Wollan
B.A., UCSC, Journalist. Malia Wollan is a national contributor in the New York Times San Francisco bureau, where she reports on a wide spectrum of topics from Central Valley secession movements to agriculture to skateboarders taking over empty pools at foreclosed houses. Wollan is a graduate of the University of California at Berkeley’s Graduate School of Journalism.
Gary Young
B.A., UCSC, Poet. Gary Young is a poet and artist whose books include Hands, The Dream of A Moral Life, Days, Braver Deeds, winner of the Peregrine Smith Poetry Prize, No Other Life, which won the William Carlos Williams Award of the Poetry Society of America, Pleasure, and his most recent collection, Even So: New and Selected Poems. Young has twice received fellowships from the National Endowment for the Arts, and in addition to other awards he has received a Pushcart Prize and a fellowship from the National Endowment for the Humanities. He edits the Greenhouse Review Press, and his print work is represented in many collections including the Museum of Modern Art and the Getty Center for the Arts.
If you would like to be included on this page, please send a short bio and photo to Micah Perks at meperks@ucsc.edu.