Creative Writing Concentration at UC Santa Cruz
The Creative Writing Concentration
at UC Santa Cruz
Creative Writing, a concentration within the Literature major, offers a sequence of workshops from introductory through advanced levels in both poetry and fiction. Other activities available to interested students include participation in literary journals on campus, attendance at readings by visiting writers, and use of the creative writing library at Kresge College.
Admission to the Creative Writing Concentration
Admission to this concentration is selective. Interested students are required to take one lower-division workshop at UCSC before applying to the creative writing concentration; however, students are strongly encouraged to complete two lower-division workshops (at least one at UCSC) before applying.
Students accepted into the concentration must complete three advanced writing workshops and a senior project seminar. To apply for admission to the creative writing concentration, students should submit a completed application form (available at the Literature Department office) and a thoughtful selection from their work (ten pages of poetry or 1,250 to 1,750 words [five to seven pages] of fiction).
Applications are accepted on the second Friday of each quarter. Students accepted into the concentration are required to declare the Literature major, with a concentration in Creative Writing, in order to enroll in upper-division creative writing workshops.
Creative Writing Program
UCSC Creative Writing Faculty
Christopher S. Chen
Twentieth- and 21st-century African American literature; Asian American literature; comparative ethnic literary studies; modern and contemporary US poetry and poetics; contemporary U.S. experimental writing; racial capitalism and theories of comparative racialization.
Humanities 1, room 628 • firstname.lastname@example.org
Reading and writing contemporary fiction, creative non-fiction and historical fiction; U.S. alternative communities; feminism.
Humanities 1, room 233 • email@example.com
Transnational and postcolonial literatures, especially as located and transformed in Asia/Pacific; cultural-political emergences as posited against empires of globalization; cultural poetics of America in the Pacific and Oceania; the sublime, Longinus to Hiroshima; poetics of experimental writing, especially poetry; the poetry and cultural poetics of Bob Dylan; Beat beatitude, social and literary, from Jesus to Juliana Spahr et al.; San Francisco as Global City, with its literature read as archive of vision and critique; Pacific Rim cities from Hong Kong and Seoul to Taipei, Kaohsiung, Shanghai, Honolulu, San Francisco, and Los Angeles.
Humanities 1, room 631 • firstname.lastname@example.org
Ronaldo V. Wilson
20th-century and contemporary African American literature; poetry; contemporary American poetry and poetics; Black visual culture; recent experimental writers and artists.
Humanities 1, room 238 • email@example.com
Karen Tei Yamashita
History and anthropology of Japanese immigration to Brazil; Asian American literature; modern fiction; playwriting.
Humanities 1, room 231 • firstname.lastname@example.org
Contemporary fiction; modern American Southern literature; classic literature; screenplays.
Cowell College, room 111 • email@example.com
The prose poem; fine printing; printmaking; publishing and book design.
Humanities 1, room 229 • firstname.lastname@example.org
Department of Literature
UCSC Creative Writing Program
January 20, 2017